Projects
Emily's Garden (2022-2023)
songs living in Emily Dickinson's poetry
These pieces are a shameless celebration of wonder and the beauty of the natural world. The first of them, A bird came down the walk, was commissioned by Big Mouth Society in 2022. The piece follows the silly and surprising path of a bird only to become lost in the poetic mechanics of flight. The next three pieces in the set asked to come into the world, too, and so I listened. The exponent of breath is a short trio about love. To make a prairie is an instructional guide for naturalists: "to make a prairie it takes a clover and one bee/one clover, and a bee/ and revery./ The revery alone will do, if bees are few." The universe her shoe is yet another piece about the moon.
...and the stars (2021)
an imaginative translation of a Sappho fragment
the moon
has long since set
and the stars have faded
midnight is gone
time passes
(gold thread running through
my fingers, fresh silk
running through my fingers)
I lie
alone.
performed by Emily Lau and Jesse Ehrenberg as part of Cold Songs/Warm Songs: An At Home Holiday Celebration. The whole project is charming and homey and wonderful: ...and the stars, then called Fragment, starts at minute 9.
forgetting a melody from chopin
(2020)
I first imagined this piece as I sat on an old fountain in Paris, thinking that I wanted to write something that showed time and dirt and grit in the way that architecture does. The idea was to take an old Chopin Prelude, No. 7, and render it just recognizable to someone who knows the tune but otherwise destroy it until it became something else. That particular prelude has always held some strange significance over me: I remember reading when I was in high school that the piece reminded Chopin of his home in Poland, and that if played well it was as cheerful and plain as it was a lingering memory of places long past.
A couple years after writing forgetting a melody I realized that the piece has little to do with Chopin, but it brings my heart back to how it felt to play the piano as a young person. So much of my emotional atlas was formed sitting at the piano bench playing these lines over and over again and trying to figure out what they meant. I'm still trying, and they mean differently now.
the night looks at me (2023)
and i look at the night
This piece was created as part of Timbre 2023, a wonderful project built by New Music Mosaic to connect composers and performers. It is an exploration of abandonment to the night: therefore, don't think about it too much. Let it happen to you.
For Scores
If you would like to perform one of these pieces or commission me, please don't hesitate to reach out. I am open and excited about different arrangements, instrumentations, and performances of these pieces. They are alive and willing to become other things. If you want to be friends, reach out, and become my friend :)